941 Free Images of Adrien Egron

department of photographs, metropolitan museum of artexperiments in physiology. facial expressionsalbumen prints in the metropolitan museum of artw. bruce and delaney h. lundberg giftalbumen silver print from glass negativemetropolitan museum of artadrien alban tournachonoil on canvasneoclassicismhistory painting
Figure 54: Voluntary lowering of the lower jaw, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 57: Astonishment, stupefaction, amazement, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 16: Expression of severity, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 50: Affected weeping and face in repose, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 60: Fright, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 48: Mild weeping, pity and feeble false laughter, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 22: No painful expression, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 25: Not an expression of pain, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 39: The attention attracted by an object that provokes lascivious ideas and desires., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 10: Showing the expressive lines of m. frontalis in a young girl, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 56: Surprise, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 62: Terror, semiprofile, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 6: The grimice produced is similar to a tic of the face, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 26: Expression of painful attention and attention, attentive gaze., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 3: The face of an old man... photographed in repose., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 9: A study of m. frontalis in maximum contraction, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 63: Expression of terror, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 82: Lady Macbeth, strong expression of cruelty, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 15: Mediation, mental concentration, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 27: Expression proportionally more pained, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 4: The face in repose of a young man, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 52: Voluntary retraction of the lower lip, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 71: Same head as in Plate 70, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 18: Aggression, wickedness, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 70: Head of the Laocoön of Rome, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Plafond du salon de la Reine (Louvre)
la terre recevant des empereurs adrien et justinien le code des lois romaines dictées par la nature, la justice et la sagesse (louvre, inv 20092)ceilings of the appartements d'été de la reine anne d'autriche
The maid, Henri Adrien Tanoux, 1892
19th-century paintings in the museo nacional de bellas artes (cuba)henri adrien tanoux
Helvetius, Louis-Michel van Loo
pierre-michel alixclassicism
Ceilings of the appartements d'été de la reine Anne d'Autriche (9811929224)
la terre recevant des empereurs adrien et justinien le code des lois romaines dictées par la nature, la justice et la sagesse (louvre, inv 20092)ceilings of the appartements d'été de la reine anne d'autriche
Early Morning, Adriaan Jozef Heymans, 1907
landscape paintings in the museum of fine arts, ghentbarbizon school
Familieportret van Willem III, koning der Nederlanden, Sophie van Württemberg, zijn broer, zijn oom, zijn nicht met echtgenoot, en twee zoons, RP-P-OB-105.647, Samuel Lankhout, 1874
lithographs in the rijksmuseum amsterdamsamuel lankhout
Mr le comte de Guisnes, Louis Carrogis Carmontelle, circa 1760
portrait drawings by carmontelle in the musée condé1760s portrait drawings of men
Renoir - Portrait de Madame Adrien Mithouard, 1892, Pierre-Auguste Renoir
portrait paintings of women by pierre-auguste renoirimpressionism
Coronation of Emperor Napoleon I and Coronation of the Empress Josephine in Notre-Dame de Paris, December 2, 1804, Jacques-Louis David, between 1805 and 1807
the coronation of napoleon (jacques-louis david, louvre)neoclassicism
ALAIN PACADIS
nightclubhave fun
Consecration of the Emperor Napoleon I (detail), Jacques-Louis David, between 1805 and 1807
details of sacre de l'empereur napoléon ier (jacques-louis david)neoclassicism
Napoleon crowns Empress Joséphine, Jacques-Louis David, 1805-1807
details of sacre de l'empereur napoléon ier (jacques-louis david)neoclassicism
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